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Posts Tagged ‘Anna Brankin’

Sleep safe precious pēpi

The introduction of the pēpi pack is not about putting a baby in a wahakura. It’s actually about whakawhanaungatanga. It connects the baby to Ngāi Tahu, and it fosters a sense of responsibility in the whānau to gather around the child as the taonga.

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Reviews
Books

My tamariki were amazed by this story about Tamanui and through this book increased their knowledge about the survival of one of our most endangered birds, the kōkako, since the arrival of predator animals in our forests. This story tells of how Tamanui became the last surviving member of his family – or so he thought. He sets off on a journey to find a new home when he hears new kōkako birdsong… however it was a trick and he was captured instead! In time, under the protection of the people of Ngāti Tama in Taranaki, Tamanui finds a new family and the kōkako of the Moki Forest can continue to regenerate once more.

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Toi Iho
Weaving – The thread that binds past with future

The first thing I noticed when I arrived at Te Rau Aroha Marae on a foggy Friday evening in early August was the buzz that emanated throughout the whare. Wāhine moved back and forth throughout the space, setting up their looms, preparing the feathers for their korowai and admiring one another’s progress since they last gathered together.

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Hokia ki tō Mauka

Iaean says, “When I came back from Outward Bound, Craig and I had a bit of a brainstorm and decided Outward Bound was awesome, but it didn’t have that kaupapa Māori element, tikanga Māori, whakataukī, kīwaha, the stories of the place that give a sense of belonging.”

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Toi Iho
Ordre des Arts et des Lettres

When Fiona learned that there were several Māori casts in this collection, including those of her Ngāi Tahu ancestors, she knew she had to go to the museum to see the collection for herself. “It was a strange and difficult place, but that’s where you find the work. That’s where the taonga is.”

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Toi Iho
Bringing soul to the rebuild

In the wake of the 2011 earthquake, mana whenua Ngāi Tūāhuriri realised that one way to bring meaning to the destruction in central Christchurch was to get involved in the recovery process, and ensure that Ngāi Tūāhuriri/Ngāi Tahu identity is visible in the city.

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Return to splendour

Ngāi Tahu designer Darlene Gore earned a place at New Zealand Fashion Week in August through the Miromoda Competition, established by the Indigenous Māori Fashion Apparel Board to nurture young Māori designers in the early stages of their careers.

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In their blood

Kristy affiliates to Kāti Huirapa Rūnaka ki Puketeraki, and has always felt a strong connection to her cultural background. She has been interested in design since her mother taught her to sew as a child, and decided to combine these two passions by studying Māori Visual Arts and Politics at Massey University in Palmerston North. Kristy’s collection, Aho Creative, placed third in the Emerging Designer category at the Miromoda Competition. Her intention was to create garments that weave whakapapa and Māori design into contemporary and wearable items of clothing.

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